Wednesday 18 November 2015

Glastonbury High Street. Oh, wow. I mean, WOW!

So, there we were, parked up in the West Country, a couple of miles outside the little city of Wells. We arrived at the excellent Caravan Club Certificated Location on a Saturday afternoon, pitched up and then headed into Wells to grab some supplies from the perfectly located Waitrose supermarket on the edge of town. (There's also a Tesco store if you follow the road around, but we didn't find it until a couple of days later...)

That evening we were disturbed by loud music coming, so it seemed, from somewhere nearby. Was it one of the other units on site? Or one of the very few nearby houses? We couldn't tell. But we were tired and irritable after a long day's drive from Wales, and were therefore more than a little irked. After about an hour or so I realised that pretty much everything we heard had been a song by The Kinks.

"Can't be a party," said I, "Not unless they're all massive Kinks fans,"

"Could it," I suggested, "be a Kinks tribute band rehearsal?

Mrs Snail was unconvinced. The music ended about half past ten, followed by muffled bangs that could only be fireworks some indeterminate distance away.

The mystery was finally solved the following morning when - on the way to somewhere else - we drove through Glastonbury. On the hedge that surrounds the ruins of Glastonbury Abbey in the centre of town was a MASSIVE hoarding advertising that "The legendary Ray Davis and his band" had been playing there the night before.

So. Not the actual Kinks, but certainly the most authentic Kinks tribute band there ever was...

And what that  did was give me a huge amount of empathy for the people of this part of Somerset when the legendary festival takes place. Our little camp site** was seven miles or so away from the concert, and we could hear it pretty clearly. Now, add another three stages to that. For the festival revellers on site, I imagine the noise from the stage they're watching drowns out the noise from the nearby stages. Can you imagine the cacophony they must be able to hear from a distance though? And that goes on all day!

And suddenly I realise that I sound like a grumpy old git.

Not talking about the festival today though. Or the Abbey - that's getting it's own post. As is the magnificent Glastonbury Tor, No, today I want to talk about the town itself, which is unlike any place we have ever been before. Comedian Mark Steel, on visiting "Glasto"* for his Radio Four comedy show "Mark Steele's in town" remarked along the lines of "Glastonbury high street, eh? You want to re-align your chakras or pick up a dream catcher you're well in, but god help you if you only want a pint of milk!"

He was wrong, as it happens, there's a convenience store just over the road from the Abbey car park (OK, so that's not technically the High Street), and an "Organic Superstore" at the far end.

But he wasn't far wrong...

Now. Before we go any further, we need to get something clear. At no point in the rest of this post will I be deliberately mocking anyone for anything. Not their beliefs, not their dress sense, nothing. I will be pointing out things that seemed funny at the time. To be honest, the joke, if joke there is, is mostly on us. No disrespect is intended to anyone.*** That's not how we roll here at Snail Towers.

The High Street in Glastonbury runs, more or less, from the market place, up hill, ending outside the "Bag End Grow Shop" (which yes, sells all the things you're imagining it sells) where it forms a "T" junction with Wells Road (it goes to Wells, astonishingly enough) and Lambrook Street.

In some ways it's like any other High Street in the UK. There's a Post Office, a couple of pubs, some coffee shops, some restaurants, the usual smattering of charity shops, a church. Everything you'd expect really. But this is truly a High Street like no other. Having wandered up and down identikit main streets in towns across these Sceptred Isles past identikit chain stores and chain restaurants I have to say, Glastonbury was immensely refreshing.

So, let's start in the market place - which I have to say is pretty small. Indeed, used as we are to the kind of spacious market squares in Yorkshire market towns such as Ripon, Richmond and Masham (and of course personally I'm from Doncaster - a town which does an exceptional market) we didn't even notice that is was the market square - the only reason I know now is because I looked at a map before writing this up.

Still, the square (which was more of a triangle if I recall correctly)  marks the point where Magdalene Street bends around to the right to seamlessly become the High Street. To the left you will see the impressive stone facade of the George and Pilgrim which has sat, in some form or other, at "Number One, the High Street" since the fifteenth century. It is, in fact, the oldest working pub in the south west - and given that it's been trading for close on five hundred years must be a serious contender for one of the oldest businesses of any kind. These days it's part of a chain and, in addition to a bar and restaurant it offers fourteen rooms for guests. We didn't eat there on this occasion, and of course we didn't stay there, but it looks nice - suitably old and authentic - and the Trip Adviser Reviews are largely positive.

It adds a little obvious age to the start of this genuinely ancient street which now stretches out ahead of you, crammed with cafes, restaurants, little alternative clothes shops, book shops, places to buy occult paraphernalia, fancy soap, you name it.

And you won't recognise any of them.

It's an absolute joy.

Crossing the street we ducked into a little shop selling crystals and stones. As we entered, a pair of middle-aged women dressed as if for a WI meeting were leaving, a random snatch of their conversation hanging in the air behind them:

"...I really must go and have a coffee and something to eat - I'm just resonating with everything in here..."

Mrs Snail and I smiled wryly to each other - what else would you expect in Glastonbury after all?

We explored the shop, which appeared, entirely predictably, to be much bigger on the inside, with back rooms appearing apparently from nowhere, crammed full of beautiful crystals and polished stones. Some are clearly for mere decorative purposes but others labelled with detailed instructions regarding their use to cure any number of ailments and ills. I don't believe in crystal healing - although quartz does excellent things inside a watch - but I do believe in really beautiful things, and that little shop was crammed full of so many of them. I could have stayed in there, entranced by the pretty things all day.

It was, however, lunch o'clock and we were keen to find somewhere to eat.

We might have gone back across the road to the George and Pilgrim, but however hungry we were, we have a strict policy of never going straight into the first place we see. Which is how we found ourselves half way up the street outside the impossibly groovy Hundred Monkeys Cafe. With massive plate glass windows looking out onto the street and a small queue made up of people in hemp trousers and dreadlocks alongside a terribly well spoken family in designer jackets suggesting that the place was popular with a wide spectrum of society, we investigated the menu, before joining the queue and being ushered to a table for two in the window.

The thing about this excellent eatery - which is clearly something of a local institution and was so full that it was turning people away within minutes of our arrival - is that it completely understands and reflects the diverse culinary preferences of its clientele. If, like myself, you have a carniverous nature there is an excellent range of meaty and fishy dishes on the menu. If, like Mrs Snail you increasingly eschew meat, there's an equally impressive selection of meat free dishes. If you're a vegan, that most ignored and despised group of diners in the eyes of your average chef? No problem. There's a good range of options for you too.

Because the Hundred Monkeys has a menu that does not descriminate. The bill of fayre is not divided into "sections" based on food preference. Nothing is presented as a vegetarian or vegan "option". Some of the dishes on the menu happen to contain no meat. Some happen to contain no animal products at all. And those latter two options? They're dishes in their own right, not meat free imitations of meals that usually contain meat. It was refreshing.

You're not going to be surprised that I had a burger, made as you might expect from locally sourced organic meat. It was sublime. Mrs Snail was much more original and opted for a "Roasted Peach and Goat's Cheese salad". That was also beyond brilliant.

I love Goat's Cheese, but I confess I was a little suspicious of roasted peaches in a savoury salad. Oh my goodness, but it worked! The peach and the cheese complimented each other beautifully, just the right balance of acidity and mid lactic notes against a well thought out mix of leaves, some fresh, some bitter, some peppery. It was an absolute triumph! There was also loads of it,which is how I know this, because Mrs Snail couldn't finish it all so I got to try!

The real star, however was the Cola.

The Hundred Monkeys is an ethical establishment. As such it has no truck with the evil multinational purveyor of sugar laden fizzy vegetable extract beverage that is the Coca-Cola Company. Which was potentially an issue for me because pretty much the only soft drink I consume is that self same sugar laden fizzy vegetable extract beverage.

With the same sigh that usually accompanies the enforced order of Pepsi I have to make in Pizza Hut**** I opted for the Hundred Monkeys' ethical alternative - "Whole Earth Organic Cola". I didn't have high hopes, expecting something that would taste off, in a "knit your own broccolli" kind of way.

I was wrong.

Very wrong.

It was a revelation.

This was the first non Coca-Cola cola I have ever enjoyed. So much nicer than Coke.

Wasn't kidding about the queue. And of course there's a VW camper outside...
So there we sat, by the window, looking out at the comings and goings on one of the most interesting high streets in England.

Come back next time, and I'll tell you what we saw.



*This, I have been informed by some of the hipper young people of my acquaintance is what all the bright young things call the town. Although they seemed unable to distinguish the town from the festival, so what do they know?

**About which more in a later post... (Probably...)

***In a later post however, I'm going to be incredibly rude about a young woman I met at the top of Glastonbury Tor, because while I have infinite respect for the beliefs of others, I have neither respect nor patience for their pretentions. You'll see what I mean when we get to it...

****Which is owned in part by Pepsico, and so does not offer "The Real Thing".





Monday 9 November 2015

Go West, young man. Or woman. Or older person. Look, just go, it's great there!

Scotland may well be our favourite place in the world*, but that collection of counties known by tourist guides and travel writers as "The West Country" comes a close second. Cornwall, with it's golden ribbons of beach, high cliffs and epic waves is beautiful, if outrageously hard to get to by road. Or any other way except air, really.

The road and rail connections, particularly to the far end of the Cornish Peninsula are laughably inadequate and I'm in complete agreement with Cornish friends who lament the lack of attention that has been paid to their infrastructure over the years. "If this was the South East we'd have high speed rail and a bloody motorway by now..." is a comment I've heard a lot. Although to be fair, I have some Cornish friends who rather like their county's relative inaccessibility and take the view that they have quite enough "grockles"** to contend with as it is...

The North East section of the West Country (if that makes sense) also has rather a lot to offer. The maritime city of Bristol, with it's rich engineering and sea-faring heritage is both beautiful and enthralling, claiming attractions like Brunel's SS Great Britain (literally about a hundred yards from the Caravan Club's site in Bristol - I know because the first time I went there I overshot the site's gate and had to use the SS Great Britain's car park to turn around in) and indeed his Clifton Suspension Bridge. Also, although we didn't visit on our most recent West Country outing, the "Baltic Wharf" Caravan Club site in Bristol is amazing!

It doesn't look like much to write home about as you arrive - as mentioned above, the first time I took the 'van there I missed the entrance completely, and the site is entirely enclosed by walls which I presume once surrounded some kind of industrial compound. But once you're pitched up you can step through a little door in the surrounding wall straight through to the dockside, and from there you can walk into the centre along the water's edge in no more than a few minutes, or even better, grab one of the water taxis that ply their trade around the city's rivers and docks. Highly recommended.

As is the city of Bath. Famed for the Roman and Georgian baths that give the place its name, its honey yellow stone houses, its stunning Georgian architecture and of course a certain Miss Jane Austen. Since I'm singing the city's praises, and as a member in good standing of the Northen Branch of the Jane Austen Society, I should perhaps gloss over the fact that Miss Austen really didn't like Bath all that much...  We did. The Roman Baths in particular are an absolute must see. The plumbing is more than fifteen hundred years old, and it still works!

Fine as they are though, we didn't visit either of these excellent West Country cities on our most recent foray to that neck of the woods, choosing instead to head to pastures new and the excellent little city of Wells.

Wells is the smallest city in the UK, or so they say. The city of Ripon in North Yorkshire feels smaller to me, but according to the latest census Ripon has a population of nearly seventeen thousand while Wells can boast barely eleven thousand people among its citizenry.

Small it may be, but it is absolutely perfectly formed.

An amazing structure - probably even better when it isn't raining. Summer 2015, eh?
Like many of England's ancient cities Wells is centred around its Cathedral, which is amazing. Work on the present structure began in 1175, and it is the oldest example of English Gothic architecture - although construction took a little over three hundred years to complete.*** Somehow the magnificent West Front escaped the puritan excesses of Cromwell and his merry crew and it retains the statues - about three hundred of them -  which decorate the exterior and tell bible stories to anyone who happens to be passing.

The interior is equally impressive. I very much regret not forking out the four quid they charge for a photography permit, because I would have loved to be able to share some pictures of the various tombs and memorials (which again, seem to have avoided the pious vandalism of Cromwell and his cronies). But most of all, I wish I'd taken pictures of the clock.

Because it is, beyond all doubt, one of the most wonderful things we've seen on our travels. Since I can't show you a picture of it, I'll just have to describe the thing instead...

First of all, you have to understand that the clock is old. Really old. Old enough that we can't be absolutely sure when it was installed, but we know that a "Keeper of the Clock" was being paid from around 1392, so it's reasonable to presume that it was put in place around about that time. Obviously there's been some restoration over the years, and the original mechanism was replaced in the nineteenth century - but the original (as we were informed by the very nice man in ecclesiastical garb who told the little crowd of visitors we were part of all about it) is still functional and can be seen at the Science Museum in London. Essentially this thing has been marking time since the end of the fourteenth century - and that's not bad going!

The mechanism actually controls two faces - one inside the Cathedral, which as I said I didn't get a picture of because I'm too tight to pay the four quid for a photo permit, and one external which I meant to photograph, but forgot. Sorry. Never mind though, because the external face just looks like a regular clock. It's the internal face that warrants the attention.

Rather than the more familiar hands, this clock face sports a twenty four hour dial around its circumference. A little sun makes the trip around the edge once each day, giving the viewer a pretty accurate idea of the current hour and minute. At the centre of the clock is the Earth, with the moon revolving around it, showing the current phase. This geocentric view of the universe, with Earth at the centre and the Sun and Moon revolving around it was well accepted at the time of the clock's manufacture - and before we laugh too hard at our primitive ancestors, if you're working from naked eye observations it does actually makes sense.

However, this mechanical marvel is so old it is thought to be the only working automaton to present this pre-Copernican view. By the time clock making of this sort really took off, astronomy had matured a bit.

The face is a thing of beauty, exquisitely painted and gilded like only a medieval craftsman could. If that were all there was, that would be sufficient. If that were all there was, it would still be my very favourite clock. But this thing has another trick up its sleeve. Because every quarter hour, a group of jousting Knights go careering around the top of the clock face, and every quarter hour, one of them gets knocked from his horse. And I mean, not just once, they go around a few times, and it's always the same Knight who gets knocked off, sits back up and then gets knocked down again.

Think about that.

Every fifteen minutes since around 1392 this poor little bugger has been knocked off his horse a couple of times. And every time he gets back up again.

There's a Chumbawumba  song in there somewhere. And perhaps a lesson for us all...

Even if there isn't, this clock does, I think, have a very important lesson in and of itself. At the time of its creation this was pretty much the state of the engineering art. Nothing, anywhere was more complicated or cleverer than this. But its creators were not content to just deliver a box full of cog wheels and gears and dials and levers. They added art. A blazing gilded sun, intricate painting, a whole bloody jousting tournament.

It wasn't enough to be cutting edge. They wanted it to be beautiful too.

We should take that lesson, we really should.




*Outside Yorkshire, obviously. I tend not to include Yorkshire when contemplating how much I like places, it's not fair to everywhere else.

**Tourists.

***I know - getting a reliable builder can be difficult. Apparently it would only have taken two hundred years but the builders had another job...